GROUP FILM REVIEW- STILL WYLDE
It follows A couple dealing with an unexpected pregnancy, the joy of pregnancy and the misery of miscarriage. They joke, they argue, they try to stay normal, but something heavier is always just under the surface. With it comes the very real pain of loss. Grief doesn’t always look like crying. Sometimes it looks like sarcasm, silence, or saying the wrong thing to the right person. The emotional twist wasn’t in the plot, but in how the characters handled the situation. The mix of humour and sadness kept shifting.
They weren’t perfect, and that made them believable. The chemistry between her and the male lead is natural, making their emotional struggle believable. The performances didn’t feel like acting — they felt like two people caught in something complicated and trying to pretend they’re fine.
Ingrid
Haas, who plays Gertie, was particularly impressive in her role. Her character stands out in the cast. She held everything together with jokes and eye rolls, but you could see she was barely holding it together, which makes the film all the more captivating. Their relationship was the whole
film, not dramatic, just real. They didn’t always say the right things, but you
could tell they cared.
The cinematography was clean and focused. Nothing flashy. It lets the characters breathe without getting in the way. The use of very long shots for space in the waiting room scenes stood out, as they were close but still felt far apart. Everything was soft and slightly muted. It felt like a cloudy day, not dark, but not bright either. Just in between. The film's calm and clean visuals, simple camera shots, and soft lighting create a warm and gentle atmosphere that suits the serious mood.
The
sound was quiet most of the time, which matched the tension. The director's use
of silence and pauses effectively conveys the weight of each moment, while the
sparse background music keeps the focus on the characters' emotions. Every line came through clearly, and the silence in between
made the tension louder. The absence of music works in the film's favour by not
overwhelming the scenes.
STORY BREAKDOWN
· Protagonist: Gertie
· Antagonist: High expectation
· Protagonist Aim: Her goal isn’t just to go
through a pregnancy, it’s to find emotional
clarity in the messiness of it all
· Antagonist's Goal: These expectations were
silent rules: women should feel joy in pregnancy, couples should be united, and everything should be figured out. But reality breaks those rules.
· Initial Conflict: Gertie struggles to keep up a
brave face, to be funny, to be okay, even when she’s not.
·
Climax: It’s not about
keeping the baby or losing it — it’s deeper. It’s about whether their
relationship can survive this moment. Whether Gertie herself can survive the
emotional imbalance without falling apart.
· Resolution: There’s no
perfect closure, but the resolution lies in honesty. When Gertie finally
allows the tension to surface, the silence becomes real communication. The
moment doesn’t fix everything, but it lets them be human, not perfect.
Directed by: Ingrid Hass
Written by: Ingrid Hass
Starring: Ingrid Hass (Gertie), Barry Rothbart (Sam)








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